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Holiday in the Protectorate
Dovolená v protektorátu (English: Holiday in the Protectorate) is a 2015 original format created by Zora Cejnkova, an independent director/producer/screenplay writer for Czech Television, the public television broadcaster in the Czech Republic. The series, first aired on 23 May 2015, is available online (in the Czech language)〔(【引用サイトリンク】url=http://www.ceskatelevize.cz/porady/10871520054-dovolena-v-protektoratu/ )〕 Initially and mistakenly publicised as a 'reality' show, the programme was attacked on line by two people who thought it was a reality show along the lines of Big Brother and that it was a competition of sorts. This was three weeks before broadcast. Two online comments (from 40) such as 'what next? Big brother Auschwitz?' on Expats.cz originally published by Blesk but removed by the request of Czech Television and replaced These comments were picked up by Agence France-Presse in Prague and spread to the international press and repeated across the world without anyone checking if any of this was actually true and 1–3 weeks before the programme was aired. (This includes most of the British Press such as the Telegraph,The Guardian, the Times, the Daily Mail etc.). The show has been criticized for its alleged trivialization of the suffering real wartime survivors for instance the Times of Israel article which was also cited across the world and again this was some time before the actual broadcast, when one had actually seen it, and made many serious errors of fact, such as claiming an active Czech participation in the holocaust.
In response to the media story only the BBC World Service interviewed the creator before the programme was shown. A number of media including the Austrian broadcaster ORF the German TV, ZDF and ARD the German Suddeutscher Zeitung, Associated Press and Reuters all sent reporters after the first episode. The Prager Zeitung sent a reporter was typical of those reporting who had actually seen the broadcasts and was positive. The New York Times also sent a reporter who made several errors of fact, such as 'it is only a game'. The Hollywood Reporter initially repeated the Big Brother Auschwitz angle then investigated, held an interview and then printed 8 hours later Zora Cejnkova's defense,
the only newspaper to do so. No Newspaper replied to complaints about their factual errors. The Czech press (and many people critical of the concept) could not believe that people could enter an artificial world and enter the situation as 'real'. They remain very critical. They also neglected to investigate or get informed or repeated lies and slander without checking the facts The critics themselves were also heavily criticised for very poor standards of journalism with regard to this programme
==The background==
Zora Cejnkova is a prize winning documentary maker mostly in historical, crime, and travel themes.〔http://www.kmb-intl.com/Movies/Detail/id/33〕 Some of these used actors for recreation of scenes. Impressed by Wall/Channel 4's 1940s house, Zimbardo's 1970s Stanford prison experiment〔http://www.bbcprisonstudy.org/bbc-prison-study.php?p=17〕 and the BBCs the Experiment,.〔http://www.bbcprisonstudy.org/〕 A top Czech psychologist she had worked with before, Slavomil Hubalek,〔:cs:Slavomil Hubálek〕 was asked if the concept could work i.e. how much a family could enter a created situation with some believability? He advised that if they could find a family that was empathic and communicated well with each other, the project should work if they were well isolated from the outside world. This is in line with many psychology experiments since the 1960s and discussed in detail by Haslam and Reicher〔The Experiment〕 and the references therein. The plasticity of people when placed under artificial situations is not generally appreciated by the general public or its quite significant implications generally understood. The principle is that when placed into an artificial situation, most people react as if this situation is real. This is why the new format is called by the writer 'Situation Drama' to distance it from reality shows such as Big Brother. The actors are used to considerably enhance the situations. They had to improvise to keep the situations going, much in the way that Milgram used an actor in his 'torture' experiments in 1963.〔 (as PDF. )〕 This placement of subjects into artificial situations is often used as a serious tool by scientists to study how people react, as detailed by Haslam and Reicher above. For instance how would you react to the conditions of WWII. Would you collaborate? Actively resist? This is one of the aspects of this series. Prominent Czech historians were engaged, Jan Boris Uhlir and Marie Michlova, to minutely check the veracity of all aspects of the series.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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